crystal pite choreography

She is an Associate Artist at three institutions: Nederlands Dans Theater, Sadler’s Wells, London, and Canada’s National Arts Centre. The Choreographer Crystal Pite Pushes Against Ballet Crystal Pite’s “Polaris,” to be performed by members of her company and New York University students, … Pite found that the only way to match the vastness of Adès’s eponymous composition was to flood the stage with 64 dancers, who moved like the galaxy itself expanding – a fractal of bodies, their impact multiplied to something almighty. Crystal Pite’s choreographies are characterised by both strength and softness, flowing and staccato movements, the gentle interaction of the dancers as well as abrupt collisions. You can see this in The Seasons’ Canon, for Paris Opera Ballet (2016), and perhaps most strikingly in Polaris (2014), created in London for an evening of dance set to the music of Thomas Adès. Born in 1970, the native Canadian is one of today’s most sought-after choreographers. Crystal Pite. Crystal Pite. In this clip from our new series In the Making, Pite explains some of the process that goes into building a choreographic phrase and shows host Sean O'Neill — who says he "can never be a dancer" — a few moves. Some of her work connects to the problems of the real world. Audiences were taken with the dancing, the choreography, the choreographer, and the company. Pite founded her dance theatre company Kidd Pivot in 2002. Share . On January 24 at Baryshnikov Arts Center (BAC), Pite’s choreography enthralled the audience. Share . How many ways can those bodies intertwine? “The ballet world is completely different,” says Touré of her experience, “but Crystal has a way she moves her body, the tension, the energy. Sean visits artists at home, in studio, backstage, and in the field, giving viewers rare access to intimate creative spaces and inspiring moments of realization. Pite wants to communicate something real, something legible, something meaningful. Crystal Pite. Interview with Crystal Pite, 2012 . (Pite danced with Forsythe’s Ballett Frankfurt before moving into choreography and launching her company, Kidd Pivot.). Her work feels undeniably human, even when it veers into experimental territory. Canadian choreographer and performer Crystal Pite is a former company member of Ballet British Columbia and William Forsythe’s Ballett Frankfurt. Pite is a 42-year-old Canadian who has been creating dances for more than 20 years. Crystal Pite – Choreographer Canadian choreographer and performer Crystal Pite is a former company member of Ballet British Columbia and William Forsythe’s Ballett Frankfurt. In her home base of Vancouver, Pite runs the company Kidd Pivot; this is where she and Touré spent time discovering new corners in choreography. Lost Action. Closed Captioning and Described Video is available for many CBC shows offered on CBC Gem. Choreographer Crystal Pite and playwright Jonathan Young have collaborated previously on two productions, Betroffenheit for Pite’s company, Kidd Pivot, and The Statement for Nederlands Dance Theatre. Crystal Pite Crystal Le-Anne Pite, dancer, choreographer (b at Terrace, BC 15 Dec 1970). Pite has the ability to turn these intimate conversations of limbs into something fresh, or sublime or crushingly real – like the man desperately chasing a woman, who when he finally gets her attention, can find nothing to say to her (from 2008’s Ten Duets on a Theme of Rescue). Kristen McNally in Flight Pattern at the Royal Opera House, London, in 2019. Speechless … Betroffenheit at Sadler’s Wells, London. Betroffenheit is not entirely typical of Canadian choreographer Pite’s work, being a co-creation with writer and actor Young, a genuine integration of dance and theatre (a partnership they have continued in a new work, Revisor). Most emergent dancemakers of her generation work in non-balletic or hybrid forms. Crystal Pite is known as one of the most innovative and exciting choreographers at work in Canada today. Die Gegenwartskünstler James Thierrée, Hofesh Shechter, Iván Pérez und Crystal Pite präsentieren ihre variationsreichen Kompositionen im Pariser Palais Garnier und beweisen wieder einmal, warum das Pariser Ballett zu den renommiertesten Compagnien der Welt gehört. Watch all 8 episodes of In The Making now, All eight episodes are available to stream online now, Stream every episode of In the Making now. Nederlands Dans Theater 1, review: Crystal Pite's choreography dazzles A horrifying and often hilarious look at backroom politics impresses, but the rest of the programme can’t match it ... (Pite danced with Forsythe’s Ballett Frankfurt before moving into choreography and launching her company, Kidd Pivot.) Audience Relations, CBC P.O. Stream our full In the Making episode with Crystal Pite and all eight episodes now! Learn more about Crystal Pite and how she got where she is today. Betroffenheit, our best dance show of the 21st century, takes the breath away – and reveals the Canadian trailblazer’s superb craft, Last modified on Thu 30 Jul 2020 10.54 BST. No doubt dance concerts have been hard hit by the pandemic, but four of Canada’s leading dance presenters have banded together to … Choreographer’s Notebook: Crystal Pite on Creating Emergence “Even the most optimistic champions of self-organization feel a little wary about the lack of control in such a process. The legendary choreographer shows In the Making host Sean O'Neill how she approaches building phrases in her choreography. Crystal Pite is one of the top international names in choreography. The work catapulted Pite's career into another level of awareness and critical acclaim. -choreography Crystal Pite-dramaturgy Jonathan Young-music Owen Belton-Dansers : Roger Van der poel, Aram Hasler, Jonathan Bond, Rena Narumi. During this time Pite choreographed on her classmates on Saturday afternoons. For the past decade, Pite has been an associate choreographer with the Nederlands Dans Theater, creating nine new works. 1 of 3 2 of 3. For Crystal Pite, the parade felt like an apt image of imagination, absurdity, and ritual. Collapse . Its metronomic musicality and geometrical shapes were virtually new to the Paris audience. Pite steps back to see the stage from the audience’s point of view and the connection she makes here is with something innate in the viewer – the concord and inner logic of these large-scale configurations firing primal pleasure centres in the brain, as well as intellectual ones. The Creator Crystal Pite was born in Terrace, British Columbia on December 15, 1970. Vier Choreographen, vier Werke und ein Tanzabend voll vibrierender Intensität. There is another strand to Pite’s work, that on the surface seems to distance itself from personal connection. “It was so simple,” she admits, talking about the time she turned on the record player as a toddler and rehearsed a dance to My Little Red Wagon. But understanding emergence has always been about giving up control, letting the system govern itself as much as possible, letting it learn from the footprints.” In her home base of Vancouver, Pite runs the company Kidd Pivot; this is where she and Touré spent time discovering new corners in choreography. Photos by Chris Wong. Pite’s professional choreographic debut was in 1990, at Ballet British Columbia. For the fifth year, AUDC grads have had the opportunity to choreograph their own pieces, mentored by world-renowned choreographer Crystal Pite.The program is open to final-year dancers in the Graduate Program and, for most, it’s their first real attempt at envisioning and creating a new work. Lost Action - Crystal Pite, 2009. Crystal Pite’s “The Seasons’ Canon” steals the show from Peck’s “In Creases” and Forsythe’s “Blake Works.” Justin Peck’s “In Creases” invigorated a dull evening last Spring. Body and Soul, Paris Opera Ballet, Opera Garnier, Paris, October-November, 2019, choreography and text by Crystal Pite, set design Jay Gower Taylor, costumes Nancy Bryant, lighting Tom Visser. Stream every episode of In the Making now, or watch them weekly Fridays at 8:30pm (9pm NT) on CBC TV. So there is richness, complexity and texture, and playing with linear structure but never the wilful obfuscation of an artist proving their cleverness. A truly dazzling show. Exclusive conversation with Crystal Pite (Choreography, Script) and the Kidd Pivot creative team, all of whom contributed artistically to the creation of Body and Soul: Owen Belton (Composer), Eric Beauchesne (Assistant Choreographer), Nancy Bryant (Costume Designer), Jay Gower Taylor (Set Designer), Jermaine Spivey (Assistant Choreographer) and Tom Visser (Lighting Designer). Pite stated that she began choreographing when she was a toddler. Emergence was created in 2009 for the National Ballet of Canada, and combines the hierarchical world of classical ballet with the scurrying energy of a swarm of bees. Experience Crystal Pite’s daring new work in a Canadian Exclusive Premiere! by award-winning choreographer Crystal Pite. Crystal Pite and Jonathan Young with Kidd Pivot in Revisor at Sadler’s Wells, March 5. In 2013, Pite was appointed Associate Artist at Sadler’s Wells, London. In the Making is an immersive journey inside the creative process. Creator of more than 40 works in just over two decades, she is in huge demand internationally; and the most prestigious dance companies in the world, including Britain’s Royal Ballet and the Paris Opera Ballet, have recently joined the growing procession of those commissioning her work. It energises her to work with content that she thinks is beyond her. Grant Harder. That doesn’t mean serving up the obvious; she likes a “colossal, impossible subject”. Pite’s professional choreographic debut was in 1990, at Ballet British Columbia. Collectively, Pite and Kidd Pivott have received a fistful of awards and recognitions, including the Banff Centre’s E. Lee Award (1995), the Bonnie bird North American Choreography Award (2004), and the Isadora Award (2005). Published on Oct 23, 2018 Love, loss and acceptance are at the heart of Canadian choreographer Crystal Pite’s stunning dance piece "Solo Echo". Die Gegenwartskünstler James Thierrée, Hofesh Shechter, Iván Pérez und Crystal Pite präsentieren ihre variationsreichen Kompositionen im Pariser Palais Garnier und beweisen wieder einmal, warum das Pariser Ballett zu den renommiertesten Compagnien der Welt gehört. A prime example is “Body and Soul,” an evening-length work by Canadian superstar choreographer Crystal Pite that she made for the illustrious Paris Opera Ballet in 2019. DanceHouse presents Paris Opera Ballet performing Crystal Pite's choreography in Body and Soul, February 17 to 23. by Steve Newton on January 8th, 2021 at 4:12 PM. Works that use large groups of dancers en masse, as a morphing whole, rather than individuals; a reinvention of the corps de ballet. This mass movement seems like a simple idea, bodies moving in unison and canon, but it is deceptively difficult to achieve. If you, guys, feel like reciting any poem of Taras Shevchenko in English, please do. 5 Angels’ Atlas won two Dora Mavor Moore Awards in 2020: Crystal Pite for Outstanding New Choreography and Jay Gower Taylor for Outstanding Achievement in Design. Canadian choreographer and director Crystal Pite made her Royal Ballet debut in the 2016/17 Season with Flight Pattern. Betroffenheit is not entirely typical of Canadian choreographer Pite ’s work, being a co-creation with writer and actor Young, a genuine integration of dance and … Crystal Pite and Jonathon Young’s Betroffenheit is the kind of work where by the time the interval comes, you’re still not exactly sure what you’re watching, and by the time it finishes, you’re speechless. De Volkskrant photo: Rahi Rezvani Lost Action - Crystal Pite, 2009. Choreography Crystal Pite Staging Sandra Marín Garcia Scenic Design Jay Gower Taylor Costume Design Nancy Bryant Lighting Design Alan Brodie Duration 32 minutes Premiere April 22, 2010; Nederlands Dans Theater Pacific Northwest Ballet Premiere November 3, 2017. 0:45. She also studied at the Banff Centre in summer programs and The School of Toronto Dance Theatre. Emergence by Crystal Pite at the Edinburgh festival in 2016. The sense of the performance doesn’t so much unfold as slowly seep into the audience’s consciousness with growing horror – it’s a study of grief, trauma and addiction based on a tragic event in Young’s own life. Internationally heralded, The Globe and Mail claimed it is, "...a harrowing representation of trauma and suffering — but it's also a stunning testament to what can be made when life undergoes a pretty strange and irreducible process – when it's turned into art...Betroffenheit is rare and staggering." Crystal Pite. Choreography Crystal Pite (2006) Music Owen Belton. It’s not the standard rehearsal note from a choreographer to their dancers, but the eight men and women in the studio mimic Pite’s expression as they dance, and an … The pas de deux is one of the most common and most challenging templates in dance. Choreography aside, Mr. Couchman and Ms. Bennetts are correct, the Royal Ballet, is bland, anodyne, directionless and boring - offering up approximations of classics, generic modern and tedious soulless takes on everything they do. Expand. “It’s the most important thing for me,” she told me a few years ago. In an interview for the Jacob’s Pillow Archives in 2012, Pite talked about naming her company. Pite comes across much like her work: thoughtful, intelligent, honest, warm, curious, with no trace of egotism. O n an overcast day in Covent Garden, London, Crystal Pite faces the mirrors of a ballet studio at the Royal Opera House with thirty-six dancers behind her. 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