crystal pite interview

Interview is posted on Ludwig van Toronto. Crystal Pite is sure motherhood will make her a better choreographer. Crystal Pite | Photo: Michael Slobodian “Maybe,” Pite responded, “but it was a bit of a different journey for me. ludwig-van.com. But then, having danced the works of more than 30 choreographers, she says she took in many influences: “I think all of us are hybrids of all the people we’ve encountered from our very first teacher to the choreographers that we’ve worked with on a professional stage.”. Interview with Crystal Pite. Interview is posted on Ludwig van Toronto. Crystal and her company Kidd Pivot were at The Banff Centre in 2015 creating and refining their latest performance, \"Betroffenheit,\" co-created with Jonathon Young's Electric Company Theatre. Crystal Pite has been wowing the international dance world for years, but lately with her five-year-old son in tow. ludwig-van.com. Meet Canadian choreographer Crystal Pite in this Banff Centre Talk, hosted by Dominic Girard. The impact of Crystal Pite’s work comes from the unlikely combination of what she herself describes as “rigour and recklessness.”, “For me there is something interesting in that kind of contrast (…) I always cultivate first of all a sense of rigour to reach the idea of the work, but at the same time keep openness and recklessness and feel that we are always on the edge. Crystal Pite, choreographer of the dance-theatre piece Betroffenheit coming to London soon, talks to Culture Whisper about her work. She's been called a "dance genius" for her risky, imaginative, and emotionally compelling work. Creator of more than 40 works in just over two decades, she is in huge demand internationally; and the most prestigious dance companies in the world, including Britain’s Royal Ballet … Crystal Pite’s Body and Soul, filmed at the 2019 Paris Opera Ballet production, launched the new cross-Canada Digidance initiative for streaming permiere works. Founder of dance company Kidd Pivot, Crystal Pite is one of the world’s most sought after choreographers. Pite talks candidly about the creation of Body and Soul for the Paris Opera Ballet. Join the conversation and learn more at http://creativemornings.com If you click «Log in with Facebook» and are not a Culture Whisper user, Find out more about Culture Whisper. you agree to our Terms & Conditions and to our Privacy Policy, which includes our Cookie Use, Get the Best of London Life, Culture and Style, By entering my email I agree to the CultureWhisper. Forsythe was a tremendously influential voice in the development of modern dance, and inevitably she absorbed something of his choreographic voice. Already, though, the choreographic bug had bitten. Interview with choreographer Crystal Pite Pite talks candidly about the creation of Body and Soul for the Paris Opera Ballet. Occasional information about discounts, special offers and promotions. Body and Soul, a creation of Crystal Pite for the Paris Opera's 350th anniversary. All those feelings will, no doubt, find their way in her coming work. Crystal Pite at CreativeMornings Vancouver. The intelligence she invests in her work, together with her willingness to incorporate all manner of theatrical devices to bolster her concept and drive her narrative, gives rise to extraordinarily powerful works. Interview with choreographer Crystal Pite. Since 2013 she’s been one of a small but distinguished group of Sadler’s Wells Associate Artists. ----- DETAILED PROGRAM PRE-RECORDED INTERVIEW (15 minutes) Body and Soul: In Collaboration (2020) With Crystal Pite (Choreography, Script) and her Kidd Pivot creative team: Owen Belton (Composer), Eric Beauchesne (Assistant Choreographer), Nancy Bryant (Costume Designer), Jay Gower Taylor (Set Designer), Jermaine Spivey (Assistant Choreographer) and Tom Visser (Lighting Designer) … Eleanor Wachtel talks to Canadian choreographer Crystal Pite. Crystal Pite’s “The Seasons’ Canon” steals the show from Peck’s “In Creases” and Forsythe’s “Blake Works.” Justin Peck’s “In Creases” invigorated a dull evening last Spring. When acclaimed Vancouver choreographer Crystal Pite's Body and Soul was first brought to the stage by the Paris Opera Ballet in November 2019, Vancouver dance fans would have had to hop on a flight to the French capital in order to take in the performance, which, at the time, was reserved solely for in-person audiences at the famed Palais Garnier. Posted on February 20, 2021, updated on February 21, 2021 by pcitron. This interview has been condensed and edited. Photograph: Chris Randle. Born in British Columbia, Canada, in 1970, she started dance classes at the age of four, eventually moving to Vancouver to join Ballet BC as an apprentice at the age of 17. “At the moment, I am really interested in narrative—and dance is a really inefficient and maddening way to … “But at the same time I was also very inspired and fascinated and curious about the question of suffering and survival.”. Becoming a mother, she says, has fundamentally altered her outlook on life.“It’s having an influence in the way that I approach everything, including my artistic work. ----- DETAILED PROGRAM PRE-RECORDED INTERVIEW (15 minutes) Body and Soul: In Collaboration (2020) With Crystal Pite (Choreography, Script) and her Kidd Pivot creative team: Owen Belton (Composer), Eric Beauchesne (Assistant Choreographer), Nancy Bryant (Costume Designer), Jay Gower Taylor (Set Designer), Jermaine Spivey (Assistant Choreographer) and Tom Visser (Lighting Designer) FILM (82 minutes) Body and Soul … You’re right that when we did A Conversation, I was in my early 30s and, yeah, feeling like I was in my full force — at the height of my ability as a dancer, I guess. Thanks for signing up to Culture Whisper. “ Crystal Pite reflects on the trip through trauma that created Betroffenheit ” – ARTICLE, Janet Smith, The Georgia Straight (February 24, 2016) “ Betroffenheit dance show, created out of tragedy, explores PTSD and recovery ” – INTERVIEW, CBC News Crystal Pite’s latest work, Betroffenheit, addresses ‘the very question of human suffering’ Pite says that much of her best work has been inspired by violence, or darkness of some kind. A co-creation with Vancouver-based actor and playwright Jonathon Young, Betroffenheit (the Gernan word means shock or trauma) has its origin in a harrowing tragedy: the death in a fire of Young’s 14-year-old daughter. Pite explained in another interview that she recognizes the inherent complications with using dance in this way. Crystal Pite and Peter Chu in the final performance of Dark Matters, 2012. Jonathon Young with Kidd Pivot performing Crystal Pite’s “Betroffenheit.” Photograph by Michael Slobodian. Choreographer Crystal Pite and playwright Jonathon Young received international acclaim with Betroffenheit, a very personal paean to pain. In 2015, the Canadian duo of contemporary choreographer Crystal Pite and dramatist Jonathon Young, together with Pite’s company Kidd … Having a child makes me more aware, more passionate, more terrified, more vulnerable than I’ve ever been before.”. In 1996 she left Canada to join William Forsythe’s Ballet Frankfurt. Her works are highly theatrical, emotional, and unforgettable. Meet Canadian choreographer Crystal Pite in this Banff Centre Talk, hosted by Dominic Girard. We can only wait with bated breath for her coming creations. The resulting dance-theatre piece is described as the most harrowing of all her works; and the choreographer was particularly sensitive to the subject because by then she was already a mother. Prior to the streamed performance, there will be a 15-minute pre-recorded short film titled Body and Soul: In Collaboration, including interviews with Crystal Pite and the Kidd Pivot creative team, all of whom contributed artistically to the creation of Body and Soul : Owen Belton (Composer), Eric Beauchesne (Assistant to the Choreographer), Nancy Bryant (Costume Designer), Jay Gower Taylor (Set Designer), … Canadians will be the first international audience to be able to see Crystal Pite’s Body and Soul since the Paris premiere – online. One such was her take on Shakespeare’s last play: The Tempest Replica. Crystal Pite is one of the top international names in choreography. She speaks to Anna Winter about reigniting her partnership with Jonathon Young to … PRE-SHOW Exclusive Interview (13 minutes) With Crystal Pite (Choreography, Script) and the Kidd Pivot creative team: Owen Belton (Composer), Eric Beauchesne (Assistant to the Choreographer), Nancy Bryant (Costume Designer), Jay Gower Taylor (Set Designer), Jermaine Spivey (Assistant to the Choreographer) and Tom Visser (Lighting Designer). The show premieres July 23, 2015 at the PanAm Games in Toronto.Watch part 2 of this interview here: https://youtu.be/xO6I80spG3shttp://www.kiddpivot.orghttp://electriccompanytheatre.comFollow the Banff Centre:Facebook: https://www.facebook.com/TheBanffCentreTwitter: https://twitter.com/thebanffcentreWebsite: https://banffcentre.cahttps://soundcloud.com/banff-centre-radioiTunes: https://itunes.apple.com/ca/artist/the-banff-centre/id991387998?mt=2 After years of training and working as a professional dancer, Crystal is now praised for her unique way of telling stories through dance. To enjoy unlimited access to Culture Whisper sign up for FREE. From a distance, it might seem like things come easily to Crystal Pite. I think there’s something interesting and beautiful in that.”. Choreography came to the fore when she formed her company, Kidd Pivot, in Vancouver in 2002. q: The Podcast from CBC Radio Get ready to meet the artists you're talking about, and the ones you'll soon love. Featuring 64 dancers (she had originally asked Sadler’s for 100) Polaris illustrated her amazing ability to move large numbers on stage to overwhelming effect. Her latest accolade was the British National Dance Award for best modern choreography for her work Polaris, shown at London’s Sadler’s Wells last year. Body and Soul is a portrait of the human condition that is timeless, vast and heartbreakingly intimate. Its metronomic musicality and geometrical shapes were virtually new to the Paris … However, for the first part of her career, dancing took priority. “There was also more control because I found the choreographer in me wanted more out of the dancers, but ultimately I think I learned a lot about creating my own vocabulary and finding something that was distinct through my own dancing.”, Her unique and extraordinary choreographic language has been variously described as displaying “undeniable brilliance” (Le Devoir) and making viewers “feel passion and unease under your skin” (The Guardian); while The Australian proclaimed her “an image maker of rare distinction.”. Ahead of the première of her new pièce, for 64 dancers, set to Thomas Adès' Polaris Crystal Pite talked to us of her musical choices, and her choreographic process. Each week, we sent newsletters and communication featuring articles, our latest tickets invitations, and exclusive offers. The show-within-a-show, aptly dubbed, “Showtime,” is the physicalization of a drug-induced euphoria. Her latest, The Statement, has just premiered at Nederlands Dans Theater. Long-term support. Please check your inbox for a confirmation email and click the link to verify your account. You see this in the delicate texture of The Tempest Replica (2011), based on Shakespeare's play. You have reached the limit of free articles. Crystal Pite, choreographer of the dance-theatre piece Betroffenheit coming to London soon, talks to Culture Whisper about her work. In fact, she doesn’t remember a time when she didn’t want to choreograph: “I just like to create things,” she told Culture Whisper. Crystal Pite in rehearsal for 2004's Double Story. Before the performance, there will be a 15-minute pre-recorded exclusive interview with Crystal Pite and the Kidd Pivot creative team, all of whom contributed artistically to the creation of Body and Soul: Owen Belton (Composer), Eric Beauchesne (Assistant to the Choreographer), Nancy Bryant (Costume Designer), Jay Gower Taylor (Set Designer), Jermaine Spivey (Assistant to the Choreographer) and Tom Visser … I could deliver the best of myself and I knew very well my own limits and possibilities as a dancer. Once seen, Crystal Pite’s dance is not easily forgotten. London is now eagerly awaiting the arrival of Betroffenheit, which Pite says is currently her favourite creation - “I care very deeply about this work!” - though she’s quick to point out she feels strongly about all her works: “You have to feel invested in what you’re creating because otherwise it doesn’t gel.”. Her son Niko, with partner Jay Gower Taylor (Kidd Pivot’s set designer), is now 5-years old. It was then, she says, that she really found her voice: “I found there was a really good synergy that happened, there was a good connection between myself as a dancer and myself as a choreographer. Her first choreography was presented by Ballet BC only two years after she joined. “I was anxious about getting it right and I was anxious about dealing with the content.” Pite told us. Their new collaboration, Revisor, is … Vulnerable than I ’ ve ever been before. ” training and working as a.. The physicalization of a small but distinguished group of Sadler ’ s set designer ), now..., we sent newsletters and communication featuring articles, our latest tickets invitations, and unforgettable tickets invitations, exclusive... Tempest Replica with her five-year-old son in tow talks to Culture Whisper sign up for FREE of! 'S 350th anniversary inherent complications with using dance in this Banff Centre,! Years after she joined wowing the international dance world for years, but lately her! 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Http: //creativemornings.com Crystal Pite is one of a small but distinguished group of Sadler ’ set. Absorbed something of his choreographic voice to Culture Whisper about her work the Statement, has just at! Pite talks candidly about the creation of Body and Soul, a personal! Canada to join William Forsythe ’ s Wells Associate Artists inspired and and... Their way in her coming creations, updated on February 21, 2021, on! Join the conversation and learn more at http: //creativemornings.com Crystal Pite has been wowing the international dance for... Choreographer Crystal Pite ’ s most sought after choreographers featuring articles, our latest tickets invitations and... Most sought after choreographers “ Betroffenheit. ” Photograph by Michael Slobodian genius '' for risky. Better choreographer Pite talks candidly about the question of suffering and survival. ” ’... Culture Whisper about her work and working as a dancer featuring articles, our latest invitations. 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And fascinated and curious about the creation of Body and Soul for the first part of her career dancing... And exclusive offers, with partner Jay Gower Taylor ( Kidd Pivot, in Vancouver in 2002 Showtime...

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