crystal pite the statement

We can all agree on the irreplaceable experience of a live performance but this piece, beautifully and conscientiously filmed by Tommy Pascal, does not suffer. Goecke’s cast of two female and five male dancers skilfully embody Buckley’s music, matching its phrasing with movement that’s unhurried, spasmodic and at times manic. Born and raised on the Canadian West Coast, choreographer and performer Crystal Pite is a former company member of Ballet British Columbia and William Forsythe’s Ballett Frankfurt. We recognize both the characters and the language as being of our world and our time. We also use third-party cookies that help us analyze and understand how you use this website. Choreographer Crystal Pite and theatre-maker Jonathon Young combine their worlds for a riveting piece Sanjoy Roy Wed 4 Mar 2020 07.54 EST Last modified on Thu 26 Mar 2020 08.26 EDT If there is an intelligence in movement and physicality that cannot be expressed through words, do we look down on that intelligence? Crystal Pite, the Olivier Award-winning choreographer of Emergence creates a brand new work for The National Ballet of Canada. The accuracy and focus, in She regularly writes for Springback Magazine, The Skinny and Seeing Dance, and has contributed to The Guardian and Film Stories. She loves being in the studio working on a new choreography with a group of dancers, or talking to brilliant people in the dance world about their projects and opinions. Nederlands Dans Theater (NDT) | Crystal Pite's piece 'The Statement’ for NDT in Berlin. of Crystal Pite’s Dance-Theater Peter Dickinson A ccording to Vancouver-based choreographer Crystal Pite, “A pivot ...allows for another point of view. Often manipulating large groups of dancers, she is fascinated not only with pattern and space but also with the emotional register of the body and the stories that it holds. Halfway through the dance, as insinuation, provocation and on—and off—the record statements are bandied about through voiceovers, the stakes are upturned: one investigator is instead deemed the scapegoat. Caught in Tom Visser’s raking light, their bodies lash and undulate like duelling cobras, as each of them seeks to slither out of the moral firing line and offload the blame on to the others. This makes The Statement topical yet timeless." It is mandatory to procure user consent prior to running these cookies on your website. This subtractive process is evident in all great choreography. But the quality is also soft; feet sliding across the floor, limbs rippling into extensions. Róisín is a dance artist and writer based in Edinburgh, Scotland. The others, if impressive exhibitions of craft, slip past like expensive but unsatisfying snacks. It is a repeatable, refinable action that extends our perspective of the possible. Following a similar pattern to the other two works, Betroffenheit and The Revisor, Young wrote the script for the 20-minute work and his Vancouver based Electric Theatre Company recorded his lines. We see the bare bones of an expression, our very mechanics laid bare, but emotion is never lost. “We should tell the truth?” one says. This category only includes cookies that ensures basic functionalities and security features of the website. The dancers perform with touching diligence, but they can’t disguise the fact that the piece is merely the sum of its effects. We are in a dark, oppressive situation room. This eerie chorus, combined with Pite’s smooth, gravity-defying choreography, makes The Statement a relevant depiction of … Each dancer’s specific characterisation holds this at bay, particularly Aram Hasler’s guilt-ridden official. If anything, it is heightened, written in strained, emphatic strokes. A brilliant sequence where all four lash and move with frenzied calculation at opposite sides of the table is chillingly officious, yet physically desperate. “That’s impossible and you know it,” another snaps. Light Tom Visser. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. “The Statement” Choreography by Crystal Pite – Photo courtesy of the artist “We should have stopped it,” one character repeats over and over. The Statement is a one-act play by Jonathon Young, with whom Pite collaborated on Betroffenheit, which won a 2017 Olivier award. Pite has spoken of how language can open up new possibilities for her as a choreographer. NDT1, The Statement NDT perform “The Statement” by Crystal Pite. Playwright Jonathon Young. We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. The NDT1 dancers are miraculously good. The Statement is a one-act play by Jonathon Young, with whom Pite collaborated on Betroffenheit, which won a 2017 Olivier award. What does one give us that the other doesn’t? Renowned for the emotional depth and beautiful intimacy of her work, Crystal Pite is one of the world’s most in-demand choreographers. Her latest works for NDT 1 are Plot Point (2010), Solo Echo (2012), Parade (2013), In the Event (2015), The Statement (2016) and Partita for 8 Dancers (2018). This is "Teaser THE STATEMENT by Crystal Pite / NDT 1" by Tommy Pascal on Vimeo, the home for high quality videos and the people who love them. 2018 NDT Direction for TV : Tommy Pascal DOP : Charles Sautreuil Production : Labelle Télé She tries not to spend too much time obsessing over Crystal Pite. What is the friction between words and movement? Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. THE STATEMENT. Costumes Crystal Pite, Joke Visser. Stop-Motion by Sol León and Paul Lightfoot: ‘more silent screaming’. “The Statement” sees four officials in nondescript suits caught in the orbit of a monolithic central table, perhaps in a windowless room in the basement of some government or corporate building. Pite has her own company, the marvellous Kidd Pivot, but she is also an associate choreographer of NDT. Shoot the Moon and Stop-Motion are typical of their oeuvre, in that they combine an overload of technical effect and look-at-me virtuosity with emotional and conceptual vacancy. In 2008, Crystal Pite joined NDT as an associate choreographer. Alistair Spalding, Artistic Director and Chief Executive of London’s Sadler’s Wells, describes Pite’s choreographic language as “a breadth of movement fusing classical elements and the complexity and … What interests me is the human spirit and how we connect to each other. Necessary cookies are absolutely essential for the website to function properly. Lightfoot has been NDT’s artistic director since 2011, and he and León have created more than 50 works for the company. In 2002 she formed her own company called Shoot the Moon features a revolving triptych of rooms between which five dancers move while enacting a tortured and wholly uninvolving psychodrama to music by Philip Glass. THE STATEMENT- CRYSTAL PITE "In a strong choreography, Pite demonstrates how people are driven to despair, express indignation or draw and regroup in frustration. Crystal Pite. The Statement was the second of the three collaborations between Pite and Jonathan Young, writer and theatre director. Underneath, there’s nothing there. Music Owen Belton. ‘Whiplash precision’: NDT1’s dancers perform Crystal Pite’s The Statement at Sadler’s Wells. She began her professional dance career in 1988 at Ballet BC and in 1996 she joined Ballett Frankfurt under the tutelage of William Forsythe. Betroffenheit, our best dance show of the 21st century, takes the breath away – and reveals the Canadian trailblazer’s superb craft. Pite breaks them down, isolates each beat; she repeats, backtracks, varies, and builds on each brick of movement. Rahi Rezvani There’s a risk that the themes of distortion and displacement in “The Statement” translates into an evasive script: a risk in showing a constant deferral of responsibility and an infinite web of unnamed deceit, which can lose sight of the particular reality that Pite and Young want to depict. The more they writhe, silently scream, and demonstrate their impeccable developpés à la seconde, the less you care. We recognize both the characters and the language as being of our world and our time. Angels' Atlas: A Note From Cystal Pite 1. Guilt, accountability, and the (malevolent) opacity of bureaucratic structures are recurrent themes in Pite and Young’s collaborations. There’s a risk that the themes of distortion and displacement in “The Statement” translates into an evasive script: a risk in showing a constant deferral of responsibility and an infinite web of unnamed deceit, which can lose sight of the particular reality that Pite and Young want to depict. 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And demonstrate their impeccable developpés à la seconde, the marvellous Kidd Pivot Lightfoot has been ’!

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