william forsythe dance company

Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. WILLIAM FORSYTHE . CHOREOGRAphies by WILLIAM FORSYTHE, MARCO GOECKE, jacopo godani 29 April 2021 - 23 May 2021 Bockenheimer Depot Frankfurt am Main ... Videowork and performance dancers of the Dresden Frankfurt Dance Company Youtube Channel der Dresden frankfurt dance company . Dalle Improvisation Technologies (1999) alla Motion Bank , (2010-2013), l’ultima iniziativa multidisciplinare di William Forsythe e della The Forsythe Company. The ensemble further pursues the creative work carried out for 20 years with Ballett Frankfurt, including producing works in the areas of performance, installation, film, and educational media. William Forsythe, (born December 30, 1949, New York, New York, U.S.), American choreographer who staged audaciously groundbreaking contemporary dance performances during his long association with the Frankfurt Ballet and later with his own troupe, the Forsythe Company. 2. Forsythe has been conveyed the title of Commandeur des Arts et Lettres (1999) by the government of France and has received the Hessischer Kulturpreis/ Hessian Culture Award (1995), the German Distinguished Service Cross (1997), the Wexner Prize (2002) the Golden Lion of the Venice Biennale (2010), the Samuel H Scripps / American Dance Festival Award for Lifetime Achievement (2012), Carina Ari Medal (Sweden, 2014)  the Grand Prix de la SACD (2016) and the German Theater Award FAUST for Lifetime Achievement (2020). His work is acknowledged for reorienting the practice of ballet from its identification with classical repertoire to a dynamic 21st century art form. Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. In collaboration with media specialists and educators, Forsythe has developed new approaches to dance documentation, research, and education. Raised in New York and initially trained in Florida with Nolan Dingman and Christa Long, Forsythe danced with the Joffrey Ballet and later the Stuttgart Ballet, where he was appointed Resident Choreographer in 1976. Forsythe Company che ha diretto dal 2005 al 2015. Forsythe has been commissioned to produce architectural and performance installations by architect-artist Daniel Libeskind (Groningen, 1989), ARTANGEL (London,1997), Creative Time (New York, 2005), and the SKD – Staatliche Kunstsammlungen Dresden (2013, 2014). William Forsythe began studying at the Joffrey Ballet School in New York in 1969 and began his professional career as an apprentice with the Joffrey Ballet in 1971. More recently Forsythe has created original works for the Paris Opera Ballet (Blake Works I),English National Ballet (Playlist (Track 1,2)),Boston Ballet (Playlist (EP)),as well as the internationally acclaimed productions A Quiet Evening of Dance produced by Sadler’s Wells Theatre (London). Raised in New York and initially trained in Florida with Nolan Dingman and Christa Long, Forsythe danced with the Joffrey Ballet and later the Stuttgart Ballet, where he was appointed Resident Choreographer in 1976. Forsythe’s works developed during this time were performed exclusively by The Forsythe Company, while his earlier pieces are prominently featured in the repertoire of virtually every major ballet company in the world, including the Mariinsky Ballet, New York City Ballet, San Francisco Ballet, National Ballet of Canada, Semperoper Ballet Dresden, England’s Royal Ballet and the Paris Opera Ballet. Professor of Dance and Artistic Advisor for the Choreographic Institute at the University of Southern California Glorya Kaufman School of Dance. Discover the rich layers, unexpected combinations, and experiential aspects that are distinctive to his work as a choreographer and with a parallel practice in the visual arts. While known primarily as a choreographer, he has tried his hand in vastly different disciplines ranging from performance art to installation sculpture to computer imaging. In 2002, Forsythe was chosen as one the founding Dance Mentor for The Rolex Mentor and Protégé Arts Initiative. Works produced with this ensemble include Three Atmospheric Studies (2005), You made me a monster (2005), Human Writes (2005), Heterotopia (2006), The Defenders (2007), Yes we can’t (2008/2010), I don’t believe in outer space (2008), The Returns (2009) and Sider (2011). In 1984, he began a 20-year tenure as director of the Ballet Frankfurt, where he created works such as Artifact (1984), Impressing the Czar (1988), Limb’s Theorem (1990), The Loss of Small Detail (1991), A L I E / N A(C)TION (1992), Eidos:Telos (1995), Endless House (1999), Kammer/Kammer (2000), and Decreation (2003). Dancer/Choreographer/Artist William Forsythe has been active in the field of choreography for over 45 years. From 1971 to 1973 danced with Joffrey Ballet II, often appearing in the parent company's productions. His installation and film works have been presented in numerous museums and exhibitions, including the Whitney Biennial (New York, 1997), Festival d’Avignon (2005, 2011), Louvre Museum (2006),  Pinakothek der Moderne in Munich (2006), 21_21 Design Sight in Tokyo (2007), Wexner Center for the Arts, Columbus (2009), Tate Modern (London, 2009), Hayward Gallery, (London 2010), MoMA (New York 2010), Venice Biennale (2005, 2009, 2012, 2014), MMK – Museum für Moderne Kunst (Frankfurt, 2015), 20th Biennale of Sydney (2016), ICA Boston (2011, 2018), Sesc Pompeia – Sao Paulo (2019) and Museum Folkwang (2019). Awards received by Forsythe and his ensembles include the New York Dance and Performance “Bessie” Award (1988, 1998, 2004, 2007) and London’s Laurence Olivier Award (1992, 1999, 2009). has been active in ... Forsythe established a new ensemble, The Forsythe Company, which he directed from 2005 to 2015. William Forsythe to No Longer Run Forsythe Dance Company - The New York Times. Forsythe's most regular collaborators are dancer Dana Caspersen (his wife), and Dutch composer (or "sound artist") Thom Willems. These “Choreographic Objects”, as Forsythe calls his installations, include among others White Bouncy Castle (1997), City of Abstracts (2000), The Fact of Matter (2009), Nowhere and Everywhere at the Same Time No. If it's a case of filming a "cult" choreography that pre-dates the film, the additional challenge is the "duty of recall" since the film of the choreography will carry with it, into some future time, the memory of its theatrical representation. In 1984, ... his company was taken over by the Italian choreographer Jacopo Godani who renamed the group the Dresden Frankfurt Dance Company. Years later he is engaged to direct the Frankfurt Ballet (1984–2004) and after its dissolution he achieves to create The Forsythe Company (2005–present). More recently Forsythe has created original works for the Paris Opera Ballet (Blake Works I), English National Ballet (Playlist (Track 1,2)), Boston Ballet (Playlist (EP)), as well as the internationally acclaimed productions A Quiet Evening of Dance produced by Sadler’s Wells Theatre (London). William Forsythe, one of the greatest choreographers of international contemporary dance, returns to Rome after many These“Choreographic Objects”, as Forsythe calls his installations,include among othersWhite Bouncy Castle(1997), City of Abstracts(2000), The Fact of Matter (2009), Nowhere and Everywhere at the Same Time No. In collaboration with media specialists and educators, Forsythe has developed new approaches to dance documentation, research, and education. With these hands. His work is frequently begun in notions about light rather than music, as he reveals in Conversation on Lighting with Jennifer Tipton.Like the finest artists, he teaches the dance audience new skills for looking at things. 5. He … Encouraged by the director, Marcia Haydée, Forsythe began choreographing works for the company and in 1976 he choreographed his first piece, Urlicht. Roslyn Sulcas, dance critic for The New York Times and Eva Respini, Barbara Lee Chief Curator of the Institute of Contemporary Art/Boston, explore the many facets of William Forsythe's creativity. His installation and film works have been presented in numerous museums and exhibitions, including the Whitney Biennial (New York, 1997), Festival d’Avignon (2005, 2011), Louvre Museum (2006),  Pinakothek der Moderne in Munich (2006), 21_21 Design Sight in Tokyo (2007), Wexner Center for the Arts, Columbus (2009), Tate Modern (London, 2009), Hayward Gallery, (London 2010), MoMA (New York 2010), Venice Biennale (2005, 2009, 2012, 2014). William Forsythe is arguably the most important living choreographer to advance the grammar of ballet. After this, he followed his then wife, Eileen Brady, joining the Stuttgart Ballet in 1973. Synchronous Objectswas the pilot project for Forsythe's Motion Bank, a research platform focused on the creation and research of online digital scores in collaboration with guest choreographers. His 1994 computer application Improvisation Technologies: A Tool for the Analytical Dance Eye, developed with the ZKM / Zentrum für Kunst und Medientechnologie Karlsruhe, is used as a teaching tool by professional companies, dance conservatories, universities, postgraduate architecture programs, and secondary schools worldwide. Forsythe is a current. 2 (2013), Black Flags (2014), Underall (2017) and Unsustainables (2019). (Refer to Appendix 1 for brief biography) His choreography is rich in diverse influences, many of which aren't restricted to the ballet world. 2009 marked the launch of Synchronous Objects for One Flat Thing, reproduced, a digital online score developed with The Ohio State University that reveals the organizational principles of the choreography and demonstrates their possible application within other disciplines. His dance style is from Russia, via New York. Training in classical dance Forsythe eventually ended up dancing with the Joffrey Ballet and then the Stuttgart Ballet where his passion for choreography was first recognized when he was made resident choreographer for the company in 1976. William Forsythe has been active in the field of choreography for over 45 years. It was founded in 2005 by William Forsythe following the closure of the Frankfurt Ballet. “Choreographic Objects”, as Forsythe calls his installations, Nowhere and Everywhere at the Same Time No. William Forsythe: A Quiet Evening of Dance review – rare and revelatory 5 out of 5 stars. Forsythe is a current Professor of Dance and Artistic Advisor for the Choreographic Institute at the University of Southern California Glorya Kaufman School of Dance. William Forsythe has given his field a daring new direction and scope. 2(2013), Black Flags(2014), Underall (2017) and Unsustainables (2019). After the closure of the Ballet Frankfurt in 2004, Forsythe established a new ensemble, The Forsythe Company, which he directed from 2005 to 2015. MMK – Museum für Moderne Kunst (Frankfurt, 2015), 20th Biennale of Sydney (2016), ICA Boston (2011, 2018), Sesc Pompeia – Sao Paulo (2019) and Museum Folkwang (2019). December 5–8, 2019 Concertgebouw, Bruges, Belgium www.concertgebouw.be At the invitation of Needcompany, William Forsythe has created two new short works for December Dance 19, the international dance festival curated by the multidisciplinary dance company. Forsythe is an Honorary Fellow at the Laban Centre for Movement and Dance in London and holds an Honorary Doctorate from The Juilliard School in New York. William Forsythe has pushed the boundaries of ballet over the course of a nearly five-decade career. His installation and film works have been presented in numerous museums and exhibitions, including the Whitney Biennial (New York, 1997), Louvre Museum (2006),  Pinakothek der Moderne in Munich (2006), 21_21 Design Sight in Tokyo (2007), Wexner Center for the Arts, Columbus (2009), Tate Modern (London, 2009), Hayward Gallery, (London 2010), MoMA (New York 2010), Venice Biennale (2005, 2009, 2012, 2014), MMK – Museum für Moderne Kunst (Frankfurt, 2015), 20th Biennale of Sydney (2016), ICA Boston (2011, 2018), Sesc Pompeia – Sao Paulo (2019), Museum Folkwang (2019) and Museum of Fine Arts, Houston (2020). To attend the event, purchase tickets at www.concertgebouw.be. In collaboration with media specialists and educators, Forsythe has developed new approaches to dance documentation, research, and education. After the closure of Ballet Frankfurt, he founded The Forsythe Company, which he directed from 2005 to 2015. ONE FLAT THING, REPRODUCED by William Forsythe, danced by the DRESDEN FRANKFURT DANCE COMPANY - JACOPO GODANI. Awards received by Forsythe and his ensembles include the New York Dance and Performance “Bessie” Award (1988, 1998, 2004, 2007) and London’s Laurence Olivier Award (1992, 1999, 2009). His work is acknowledged for reorienting the practice of ballet from its identification with classical repertoire to a dynamic 21st century art form. Roslyn Sulcas, dance critic for The New York Times and Eva Respini, Barbara Lee Chief Curator of the Institute of Contemporary Art/Boston, explore the many facets of William Forsythe's creativity.Discover the rich layers, unexpected combinations, and experiential aspects that are distinctive to his work as a choreographer and with a parallel practice in the visual arts. Forsythe’s works developed during this time were performed exclusively by The Forsythe Company, while his earlier pieces are prominently featured in the repertoire of virtually every major ballet company in the world, including the Mariinsky Ballet, New York City Ballet, San Francisco Ballet, National Ballet of Canada, Semperoper Ballet Dresden, England’s Royal Ballet and the Paris Opera Ballet. In Frankfurt, Germany, he directed the Ballet Frankfurt at the opera house and the independent Forsythe Company, for 30 years. ... Forsythe is a current Professor of Dance and Artistic Advisor for the Choreographic Institute at the University of Southern California Glorya Kaufman School of Dance… 2009 marked the launch of Synchronous Objects for One Flat Thing, reproduced, a digital online score developed with The Ohio State University that reveals the organizational principles of the choreography and demonstrates their possible application within other disciplines. Forsythe's deep interest in the fundamental principles of organization has led him to produce a wide range of projects including Installations, Films, and Web based knowledge creation. In 2002, Forsythe was chosen as one the founding Dance Mentor for The Rolex Mentor and Protégé Arts Initiative. His 1994 computer application, Improvisation Technologies: A Tool for the Analytical Dance Eye, Synchronous Objects for One Flat Thing, reproduced, As an educator, Forsythe is regularly invited to lecture and give workshops at universities and cultural institutions. Choreographer William Forsythe discusses “A Quiet Evening of Dance”, musicless dance, and breaking molds. New version Extinction of a minor species. Choreography is a curious and deceptive term. Born in New York, William Forsythe initially began his training with Nolan Dingman and Christa Long in Florida. Over the next seven years, he created new works for the Stuttgart ensemble and ballet companies in Munich, The Hague, London, Basel, Berlin, Frankfurt am Main, Paris, New York, and San Francisco. In May 2014, Forsythe announced that he would be stepping down as artistic director of The Forsythe Company in September of 2015. Works produced with this ensemble include Three Atmospheric Studies (2005), You made me a monster (2005), Human Writes (2005), Heterotopia (2006), The Defenders (2007), Yes we can’t (2008/2010), I don’t believe in outer space (2008), The Returns (2009) and Sider (2011). Il Metodo di Composizione del Movimento ideato da William Forsythe. The word itself, like the processes it describes, is elusive, agile, and maddeningly unmanageable. His 1994 computer application Improvisation Technologies: A Tool for the Analytical Dance Eye, developed with the ZKM / Zentrum für Kunst und Medientechnologie Karlsruhe, is used as a teaching tool by professional companies, dance conservatories, universities, postgraduate architecture programs, and secondary schools worldwide. In 1984, he began a 20-year tenure as director of the Ballet Frankfurt, where he created works such as Artifact (1984), Impressing the Czar (1988), Limb’s Theorem (1990), The Loss of Small Detail (1991), A L I E / N A(C)TION (1992), Eidos:Telos (1995), Endless House (1999), Kammer/Kammer (2000), and Decreation (2003). Studio rehearsal. Over four decades, he has redefined the very syntax and praxis of his field, and exerted unparalleled influence on subsequent generations of artists. Born and raised in New York, Forsythe was trained initially in Balanchine and Bournonville ballet techniques. Forsythe has been commissioned to produce architectural and performance installations by architect-artist Daniel Libeskind (Groningen, 1989), ARTANGEL (London,1997), Creative Time (New York, 2005), and the SKD – Staatliche Kunstsammlungen Dresden (2013, 2014). As an educator, Forsythe is regularly invited to lecture and give workshops at universities and cultural institutions. Forsythe returned to the United States and has since worked as a freelance choreographer with leading ballet companies. As an educator, Forsythe is regularly invited to lecture and give workshops at universities and cultural institutions. In 2002, Forsythe was chosen as one the founding Dance Mentor for The Rolex Mentor and Protégé Arts Initiative. Choreographic InfluencesAmerican born William Forsythe has been recognized as one of the 20 th century's most radical choreographers. 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